
Vic Mensa Addresses MAGA Rappers Making "Lynching" Music
Vic Mensa used a September 25 Instagram submit to ship a pointy critique on racist appropriation in American music.
Within the video, Mensa is seen in a jersey studying “Liberation,” strolling alongside a pool after choosing a grapefruit from a tree. The picture is paired with a caption that reads: “Songs about lynching simply don’t slap.”
Mensa’s submit shortly shifts from private imagery to social commentary. He takes intention at what he calls “MAGA rappers.” He’d accuse them of making nation or entice songs that glorify racial violence.
“Like, fam, can’t you even get your individual style of music to speak about killing us?” he wrote. Calling the development “pathetic,” he in contrast the performers to “Jay and Silent Bob” caricatures. He added, “They wish to be us so f***ing dangerous.”
Vic Mensa On “Lynching Music”
The Chicago native tied his criticism to a broader historical past of cultural borrowing. “The guilt is deafening, as a result of from a deep, intrinsic place of understanding, they perceive that they owe their total existence to those who they’ve enslaved and oppressed,” Mensa wrote.
He pointed to meals, folklore, and even nation music, noting, “Their beloved nation music, as Beyoncé has confirmed you. The delicacies, the barbecue, the fried hen, the Jack Daniels. Even the kids’s tales, like Br’er Rabbit.”
Mensa additionally drew connections between racism and the fetishization of Black options. He in contrast fashionable beauty traits to a disturbing historical past of exploitation. Citing Sarah Baartman, a Nineteenth-century Khoikhoi lady exhibited in Europe due to her physique, he wrote: “That was the unique BBL.” In his view, “an enormous a part of the DNA of hatred is obsession, and a main a part of the DNA of racism is jealousy.”
The rapper anchored his critique in latest tragedy, referencing what he described as a lynching in Mississippi and rejecting claims that it was suicide. “I’m working out of persistence for this s***. I would like to show off the Web,” he concluded.
Mensa’s submit blends cultural criticism with uncooked frustration, calling out what he sees as the damaging intersection of racism, appropriation, and denial.