“P.O.V.” & 10 More Standout Features

Tyler The Creator took pleasure in being hip-hop’s oddball very early on in his profession. Albums like Bastard felt like a contrarian’s dream amid the established order of hip-hop when ringtone rap light, swag turned up, and a brand new technology of rappers started redefining the style into the 2020s. This shifting panorama in the end alienated Tyler in a approach that carried all through most of his profession — his feud with 2DopeBoyz completely exemplifies the polarity of his existence inside hip-hop. It’s not about blaming 2DopeBoyz for the way folks perceived Tyler, however extra about his basic disinterest in taking part in the everyday rap recreation and the way that angle has carried on to his business success. He’s much more involved with outrapping and outselling his friends on his personal phrases slightly than producing work that merely chases traits.

What’s fascinating is that Tyler typically solely collaborated inside his personal orbit. There was some extent the place it felt like he wouldn’t ship a visitor verse for anybody outdoors the Odd Future camp — with just a few exceptions.

Most just lately, Tyler The Creator got here via with what might be thought of one of many hardest options of the 12 months on Clipse’s “P.O.V.” off their new album Let God Kind Em Out. In a current Sizzling 97 interview, Tyler revealed it took him practically 100 tries to get that verse proper, even telling Pusha T he wasn’t certain he may ship. However ship he did, as he often does when he dishes out a visitor verse. So, on that be aware, listed below are a few of Tyler’s finest visitor options through the years, in no explicit order.

Let’s begin with Tyler’s function on Freddie Gibbs and The Alchemist’s Alfredo from 2020. His look on “One thing to Rap About” is a masterclass in creative synergy. Freddie Gibbs is thought for razor-sharp avenue narratives and flawless move, and Tyler steps into that world not as an outsider however as a peer. His verse is introspective but assured, weaving private struggles with a sharpened self-awareness that indicators his creative progress. The Alchemist’s moody, jazz-inflected manufacturing affords the proper canvas for Tyler’s stream-of-consciousness model, the place he dives into betrayal, boats, and designer model flexes with vivid precision.

This observe marks a pivotal second in Tyler’s style fluidity. Over a funk-driven beat infused with Bootsy Collins’ legendary vibe, Tyler’s heat, melodic verse melts effortlessly into Kali Uchis’ dreamy vocals. It’s an emotional show of vulnerability, optimism, and resilience — parts typically buried beneath Tyler’s earlier brash persona. For followers, this track was a turning level: Tyler was now not simply the provocative rapper, however a nuanced artist able to crafting tender, soulful moments that also carry his distinctive edge.

A passing of the torch in some methods, “Biking” connects Jay-Z alongside two of music’s most promising stars on the time: Frank Ocean and Tyler. The rumored stress between the previous groupmates provides a layer of heartbreak when contemplating this report. Tyler’s verse particularly feels impressed by MF DOOM’s ethos of drawing from on a regular basis life. His assured swagger and witty lyricism actually and eloquently bridge the theme of biking. Holding his personal subsequent to Hov proves Tyler’s greatness has steadily fulfilled all through his profession.

Right here, Tyler faucets right into a darker, aggressive vitality that completely aligns with Pusha T’s icy supply. His verse is confrontational, uncooked, and unapologetically chaotic — traits that echo Tyler’s origins whereas displaying technical progress. This observe marked the start of a fruitful relationship between Tyler and Pusha T. Eminem’s darkish, twisted affect comes via, but Tyler’s model meshes seamlessly with Push’s street-centric bars.

Among the finest elements of Westside Gunn’s Pray For Paris is how he curated heavy hitters who respect his imaginative and prescient. Tyler’s look on “327” finds him standing alongside three worthy MCs as a peer, delivering a surprising verse. Although impressed by the grimey New York sound, Tyler hardly ever delves into it with such precision. His traditional popular culture references mix with a rugged Technique Man-esque undertone. Tyler’s versatility shines right here, and it’s refreshing to listen to his flamboyance and trauma forge a beautiful verse on a track worthy of being performed within the Louvre.

This observe is chaotic and brash — a sonic battleground the place Tyler holds his personal alongside rap heavyweights Lil Wayne and The Recreation. Whereas Wayne’s contributions are principally a pattern, The Recreation, the chameleon, leans extra into Tyler’s territory right here. The ominous manufacturing completely suits Tyler’s aggressive and unpredictable supply, recalling the rebellious spirit that outlined Odd Future’s rise.

“Gravity” showcases Tyler’s emotional depth and musical progress. His clean, introspective verse enhances Brent Faiyaz’s soulful singing and DJ Dahi’s lush manufacturing, creating an atmospheric, intimate soundscape. The function is a examine in vulnerability and subtlety, a stellar displaying of Tyler’s means to convey advanced feelings with out sacrificing his distinct model.

Tyler’s verse on “P.O.V.” from Let God Kind Em Out is a career-defining second. Standing alongside hip-hop veterans Pusha T and No Malice, Tyler blends respect for custom together with his fashionable, avant-garde model. This observe reveals Tyler’s intention behind every crafted verse. He navigates Pharrell’s manufacturing with urgency, precision, slick wordplay, and bravado — an earned flex on a track with three of his idols.

“Phone Calls” is the embodiment of youthful rise up wearing excessive vogue chaos, and Tyler’s verse is well the scene-stealer. He rides the beat with the type of unpredictable pocket-switching and cartoon villain charisma that made him such a pressure over the previous decade. It’s a verse constructed on swagger and scorched-earth confidence, tearing via the glossy manufacturing with colorfully unfiltered flexes.

Tyler’s verse on “Whoa” is pure Odd Future chaos—uncooked, irreverent, and magnetic in a approach solely he may ship. The chemistry between the 2 is unfiltered brilliance, however Tyler’s contribution stands out as a result of it toes the road between mischief and menace. He delivers his bars with exaggerated animation and biting sarcasm, punctuated by an off-kilter charisma that underlines how very important he was as each Earl’s artistic associate and foil. Their verses volley backwards and forwards with an virtually conspiratorial glee, and Tyler’s presence reaffirms his function because the ringleader who at all times knew the best way to stir the pot.

There’s one thing wildly spectacular about when Tyler will get in his flex-heavy bag on options, and it’s largely as a result of his materials flexes sound far more lived in than a lot of his friends. He glides over the booming manufacturing and Southern bounce with self-assurance, whether or not bragging about dropping 1,000,000 on a summer time home or his Grammy wins. Tyler constructed his empire on his personal phrases, and this verse seems like victory laps for each second he was underestimated.