Since she first emerged as one half of the neo-soul duo Floetry, Marsha Ambrosius—the “Songstress”—has established herself as probably the most influential architects of Twenty first-century R&B. While her prowess as a vocalist is simple, her pen has been equally instrumental in shaping the sound of the style. From ethereal ballads to grit-infused road anthems, her writing fashion is characterised by a novel vulnerability and a complicated understanding of concord.
Beyond her solo hits and Floetry classics, Marsha has served as a secret weapon for icons like Michael Jackson and Alicia Keys. Here are the highest 10 greatest songs written (or co-written) by Marsha Ambrosius.
10. Marsha Ambrosius – “Run”
Album: Friends & Lovers (2014)
Showcasing her development as a solo songwriter, “Run” is a hauntingly lovely show of vulnerability. The manner she constructions the desperation within the lyrics in opposition to the sweeping manufacturing makes it certainly one of her most cinematic writing achievements.
9. Alicia Keys – “Go Ahead”
Album: As I Am (2007)
Marsha introduced a sure edge to Alicia Keys’ As I Am album. This monitor showcases her capability to put in writing with a rhythmic sass, mixing hip-hop sensibilities with soul. It’s a testomony to her versatility that she will be able to pivot from ethereal ballads to tracks with this a lot “stomp.”
8. Marsha Ambrosius – “Late Nights & Early Mornings”
Album: Late Nights & Early Mornings (2011)
The title monitor of her debut solo album completely encapsulates her writing philosophy. It’s an intimate take a look at romance that feels lived-in. The manner she constructions the build-up of the tune mirrors the emotional depth of the lyrics, an indicator of her solo work.
7. Glenn Lewis – “Take You High”
Album: World Outside My Window (2002)
Marsha has a knack for writing songs that really feel like they’re hovering. This collaboration with fellow soulful crooner Glenn Lewis is a masterclass in R&B composition, using her signature harmonies and a melody that enables the vocalist to discover their full vary.
6. Jazmine Sullivan – “Music (Interlude)”
Album: Fearless (2008)
While solely a brief piece on Jazmine’s debut Fearless, this monitor is a fan favourite. It captures the pure essence of Marsha’s “Songstress” persona—writing concerning the love of the craft itself. It’s a uncooked, soulful second that solely somebody along with her deep connection to music might pen.
5. Michael Jackson – “Butterflies”
Album: Invincible (2001)
Perhaps her most well-known contribution to music historical past. Originally written and recorded by Floetry, the tune was finally handed to the King of Pop for his Invincible album. Marsha’s writing managed to seize a youthful, fluttery innocence that completely suited MJ’s legendary falsetto, leading to a modern-day traditional.
4. Floetry – “Getting Late”
Album: Floetic (2002)
This monitor highlights Marsha’s capability to put in writing “atmospheric” R&B. The lyrics are conversational and grounded, however the melodic construction is sort of otherworldly. It’s a main instance of the “Floetic” sound that modified the panorama of the style within the UK and the US.
3. Marsha Ambrosius – “Far Away”
Album: Late Nights & Early Mornings (2011)
Proving she might sort out heavy material with grace, Marsha wrote this highly effective ballad about loss and remorse. The songwriting is devastatingly direct, making it probably the most emotionally resonant R&B songs of the 2010s. It earned her widespread approval for its honesty and advocacy.
2. Floetry – “Floetic”
Album: Late Nights & Early Mornings (2011)
The tune that launched the world to her genius. Co-written with Natalie Stewart, “Floetic” was a manifesto. It blended poetry, jazz, and soul right into a seamless narrative. It’s the definitive Marsha Ambrosius writing credit score as a result of it broke the mould of what an R&B tune was “supposed” to sound like, paving the best way for every little thing that adopted.
1. Floetry – “Say Yes”
Album: Floetic (2002)
The final “vibe” tune of the early 2000s. Written by Marsha and Andre Harris, this monitor outlined the neo-soul period with its ambient manufacturing and Marsha’s breathy, hypnotic supply. It stays a staple in R&B for its capability to be each sensual and musically advanced.
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